When it comes to using multiple camera models and manufacturers, images photographed in the same place and time look different. As photographers, we focus on controlling this variance of brightness and color of light in a multitude of ways. Whether that’s using Auto, Priority Modes, or Manual settings in-camera, we constantly worry how this will look on the computer screen as well as images side by side. Regarding exposure specifically, we have standardized ways to keep this in check in-camera using blown highlight preview mode or showing the histogram on the display screen while shooting. Color consistency between multiple cameras is a whole other monster.
For wedding photographers using Lightroom, it is no secret that Adobe likes to launch new versions in the middle of our busiest season. What are we supposed to do—drop everything we’re working on and upgrade? Well, it’s not so simple for most users to jump to the next version, because things change. Upgrading can set back your post-production workflow, adding pain to your already-busy schedule of editing and meeting client delivery deadlines.
After the shoot is done, after the files are stored and backed up, and the catalog and previews are rendered, it’s finally time to process all those files. Put your headphones on and get ready to cull. Lightroom has made life easier with its intuitive hotkeys, ease of cycling between images, and syncing adjustments.
When it comes to shooting over 100,000 images per year and needing speed on my side, it’s a no brainer: I choose Lightroom. The program is simple enough to use, and I want to show you the best ways to do so it in my seven-part workflow series.
If you aren’t already feeling the heat of wedding season, it’s time to wake up and get ready! Before you know it, you’ll be up all night editing in October, wondering why all the issues you had last year are now hitting you in the face. There’s no better time than now to revitalize your workflow and prepare for the worst, because it’s coming.
There is nothing simple about digital asset management. It is easy to get hung up on equipment, shooting and editing, but managing Raw files is the most neglected part of my workflow. I feel like I always rush to import my Raw files, bypass backup and fail to organize my photos in Lightroom so I can start editing immediately. That has to stop.
To build the right post-production workflow, we have to look at what we want to accomplish as an end result and where we can save the most time. As a Lightroom user, I feel like I’ve milked as much efficiency out of this program as I can, but because of the back and forth with Photoshop, I have to create different workflows. Within these workflows, I have to rely on Photoshop Actions to streamline each edit, but what about large batches of images? We’re in wedding season and I’ve got over a thousand images ready to export out of Lightroom!
Lightroom Classic CC 7.3.1 has restructured the tools in the Develop module to get us exactly what we need and faster access. Along with the new layout, there is a ton of new presets provided by Adobe and a greater supply of creative options with a single click. After reading this article, you will be ready to pivot to Lightroom Classic CC to fully experience the changes Adobe offers. Let’s dig into the new Develop module layout and get our editing bearings.
With the new year approaching, I finally found time to explore more of what Adobe has released in Lightroom Classic. So what’s all the hype with the new masking feature? Much like the addition of the Auto-Mask added in the brush panel, there is a new innovative and more accurate method called Range Masks. Instead of your mask’s edge being analyzed for hard edges and somewhat similar tones, you have more control in choosing the range of Color and Luminosity. Like many of us, we fear Photoshop because of its complexity and inefficiency with hundreds of images. In this article, I show you how to keep things simple, how to move fast and, above all, how to create quality edits.
As a photographer with a workflow built around Adobe Lightroom, the major changes released back in October 2017 got my head spinning. This industry is full of surprises, and we have to move forward instead of staying stagnant. Do these changes affect my efficiency, and am I paying more for a product I have to have? Before we jump to conclusions about Adobe taking us down a rabbit hole of lackluster enhancements, let’s talk shop. What the hell is going to happen to desktop-oriented Lightroom as we know it today?