Backdrops usually aren’t cheap. Good ones definitely aren’t. The costs can really go uphill if you’re adding several colors and styles to your arsenal. You’re gonna need something dark, and something bright! Maybe something with a floral pattern, and of course one with an old masters pattern.
Creating a beautiful piece of composite artwork can seem like a monumental task to achieve. All those Photoshop steps and techniques, all the secrets that you don’t know, and the famous phrase, “Oh, I will never be as good as so-and-so.” Well, today is your lucky day, because I’m going to give you the biggest secret of them all.
To bring a story to life through composite art in Photoshop, I often begin with the existential question: What is speaking to me? This doesn’t always come in the form of a place or location, as it did for Sal that day. The spark of an image can begin with a single emotion, a piece of music, a line from a play.
To make a beautiful composition in Photoshop, a photographer needs time and the necessary skills, to be sure. But perhaps the most important piece of the puzzle is to have vision for the image. What’s the story you want to bring to life? Who are your characters? Where do they come from? Here are five steps to creating alternate realities in Photoshop. By following these suggestions, you can bring other worlds and characters into focus (and possibly inspire other up-and-coming composite artists).
Black-and-white conversion is an art, and the art is in determining how each color is rendered in black and white. Say you have an image of a beautiful landscape with a deep blue sky full of fluffy clouds. When we convert that to black and white, the blue sky loses its color. Now, I have a question for you: How will the blue areas look in black and white? Will they look light gray? Dark gray? White? Or maybe light gray with a slight gradient of dark gray? Making these decisions for how each color will be rendered is what makes black-and-white conversion fun.
When you retouch clients, your changes can’t be noticeable. When it’s obvious that an image has been altered from reality, it’s just tacky. This article takes you through the do’s and don’ts of Liquify and how to navigate through the Liquify panel in Photoshop CC.
Do you see the world in black and white? No one does. So why does black-and-white photography stir up such an emotional response?
Photographers are constantly battling with light to capture an epic moment, especially when the sun is hiding behind clouds or is out of the frame, causing distracting glares across the client’s face.
Photoshop Banding and How to fix it by Payton Hediger Why am I seeing banding and what can I do?…
Whether you cut your teeth in the analog film days or started with a DSLR, you have probably heard the term dodge and burn. I know what you are thinking: This is a dated technique, and Photoshop is way more capable of filling shadows and reducing highlights.