Lighting for Conceptual Photography – 7 Tips to Shake Things Up

There are rules in photography, and there are rules in lighting as a part of photography. However, when you're photographing conceptual work or fine art, you are largely expected to make your own rules. Only you know what is in your own head, and you have to bend any rules that stand in the way of making that vision a reality.

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6 Ways to Make Your Bride Look Like a Total Knockout

Unless you are in a different business than I am, most of your bridal photography clients aren't going to be supermodels. They won't have years of experience giving the camera what it wants. However, every single one of them wants to look like the best version of herself on her wedding day and in all those gorgeous photos you are taking of her.

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7-Part Series to Step up Your Lightroom Game: Part 3 Cull & Sort Your Files

After the shoot is done, after the files are stored and backed up, and the catalog and previews are rendered, it’s finally time to process all those files. Put your headphones on and get ready to cull. Lightroom has made life easier with its intuitive hotkeys, ease of cycling between images, and syncing adjustments.

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In Living Color: Getting Tones Right for Timeless Images

Like many who teach lighting for photography, I tend to focus heavily on the other three properties of lighting first (quantity, quality, direction) and avoid color. That’s because you really can make quantum leaps in your technique by simply learning to “shape” light, and color kinda falls into a separate category.

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Turning Bad Light Into Great Light

The one thing you can count on when you’re shooting on location is that you can’t count on anything except a variety of challenging lighting situations. These all fall squarely into what I like to refer to broadly as “bad light.” Bad light is any quality of light that is inconsistent with the lighting desired for the images you’re about to capture.

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5 Tips For Mastering Portrait Lighting

Great lighting is what separates the good images from the bad, as well as the good from the great. It’s literally and technically what your camera sensors capture every time you press your shutter. As a photographer, our number-one goal should be to chase down great lighting, maybe even learn how to create it if called for, and then place our subjects within that scene to bask in its brilliance.

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