Everything You Need to Know About Shooting Slow Motion Video

Ever since I started editing wedding films back in the early 2000s, I’ve utilized slow motion. I’ve used it to make my films more emotional, more dramatic, and even to fix some in-camera issues like shakiness, allowing me to focus on using the best part of a shot.

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4 Steps to Use the Color Grade Tool in Lightroom Classic v10

With Adobe’s recent October 2020 release of Lightroom Classic v10 comes the replacement of Split Toning with a new Color Grading tool. This is the tool many of us have been waiting for in Lightroom, and now we no longer have to go into Photoshop to utilize it.

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Color Calibration with Datacolor: Perfecting Your Digital Workflow

"That's not what it looked like when I shot it!" If you've ever said or thought those words, guess what? You have a color management problem. It's so important for the images you create to look and feel the way it was when you saw the scene with your own two eyes.

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Self Portrait Composites in Quarantine

I’m not a patient, nurturing person by nature, so being at home with a 2.5-year-old and a 5-month-old is literally taking up 120% of my effort, patience, and mental capacity. I couldn’t help but feel like the moment I’d put one toy away, another one had exploded all over the floor. How is this happening?! She’s only one kid! My head was spinning from her boundless energy and short attention span. So that’s where the idea for this image was born. Composites don’t have to be hard and daunting, and you don’t need to be a Photoshop guru to create them either. If you keep a few important concepts in mind, you’ll be shocked at how easy it is. In this article I’ll walk you through the step by step process for creating this image.

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