Creative Ways to Light Your Images at Night
Pivot. It's a word you've probably heard spoken more in the last 18 months than you might've cared to. But no matter who you are, these days we all have to get used to this changing and challenging world.
Pivot. It's a word you've probably heard spoken more in the last 18 months than you might've cared to. But no matter who you are, these days we all have to get used to this changing and challenging world.
Saturating your photos with colorful lighting can be a showstopper. When blindly scrolling through Instagram or quickly flipping through a magazine, it can instantly catch the eye of the viewer and make them pause.
There’s something about low light that draws me in. Maybe it’s the romantic atmosphere it exudes, or the depth it can give an image to make it look three-dimensional.
A huge part of what we do as photographers is nothing more than capturing different subjects by means of all sorts of unique light sources.
As a freelance commercial and editorial photographer, you never quite know what the job will bring you. Today you could be inside a state of the art studio, photographing the CEO of a Fortune 100 company.
When Ellie asked me to write for the annual “Lighting” issue, she suggested “Lighting Patterns.” My first thought was dark, gloomy closeups with sad people and of course Rembrandt.
As someone who shoots with any kind of light available to me, I’m pretty resourceful when it comes to incorporating external lighting within my shoots. A lot of my photoshoots are spontaneous, so I don’t like to weigh myself down with heavy gear or props.
Photography is an expensive undertaking, whether it’s your hobby or your career. From the hardware (camera and lenses) to the software (Capture One/Lightroom/Photoshop) and all the little things in between, the costs add up.
We know that weddings can be extremely unpredictable. You can do all of the preparation in the world, but as the famed fighter Mike Tyson once said, “Everyone has a plan until they get punched in the mouth.”
I love the challenge of shooting on location with wildly varying lighting situations and environmental conditions between sets. It can be an exciting way to exercise blending ambient light and existing light sources with your speedlights or OCF systems and modifiers.