Not every event requires an expensive album. Clients want a high-quality way to display their images without breaking the bank. Press Printed Books are an economical way for you to add value to your product offering and give your clients the quality they deserve.
Look, there are all sorts of options when it comes to light. Different prices, different sizes, different power options. “Cheap” rarely works with anything in life, and it surely doesn’t work with professional lighting. I’m not debating that there are give-gets with every decision we make. It’s truly no different than the decisions we make with our cameras and lenses or the computers we buy. There are always trade-offs.
Most of us love to travel. The excitement of new locations, new scenery, fresh ideas. It inspires us and feeds our creative soul. If you’re like me, I tend to put a lot of planning and creative energy towards shoots that take place while I’m traveling. I look forward to it, marking these shoots as standout portfolio builders and points of growth. But, have you ever stopped to think about all the missed opportunities for amazing shots right in our own backyards?
Inspiration can come when you least expect it. As photographers, we are visual artists. We express ourselves through our camera and the images we create. Inspirations represents a sampling of our industry and the vision of professional photographers from around the world. Congratulations to all our featured artists. Be inspired…
The problem can usually be narrowed down to business skills, although sometimes a bad personality peeks its nasty head in. But even if the marketing is good and the business sense is great, some serious bankruptcy-causing mistakes can be made in the pricing area. Let’s take a look at the basic structures of pricing so you can avoid common pitfalls.
If you love travel, then you have probably fantasized about traveling the world and getting paid to do what you love, photography. I still remember my first destination wedding. I was hired to shoot a wedding in Ireland and I nearly lost my mind. I couldn’t believe someone was willing to pay me money to travel across the globe to take pictures. I had already had the travel bug, but after this, all bets were off. I was hooked and would spend the next 10+ years looking for any and every way to travel the world doing what I love.
Over the years, I worked with Laura on several occasions. For a hobby photographer, it’s a true pleasure to work with a professional model. Laura doesn’t need much direction, works hard and doesn’t complain even when we’re shooting outside in the pouring rain. She also has a great sense of humor and it is always good fun working together. After shooting with Laura, the results are always “next level.” In this article, we will share the 4 pillars of a successful location shoot with you, based on our recent experience in London.
All in all the shoot came together really well and my client couldn’t be happier. Bringing your client’s concepts to life doesn't have to be complicated or onerous. The key is good communication, a clear idea of what you’re trying to accomplish going in, and a simple, effective lighting plan. My advice is always to keep it uncomplicated and creative. Keep your eyes and ears open and always think about what you’re not seeing. The final you’re seeing here isn’t where I started out during this shoot. It’s easy to miss something potentially great when you’re in the shooting bubble. In my experience, the strongest image may not be the one you’re shooting but something still unseen and undiscovered. Stop, look around, reframe. You’ll be surprised at the hidden gems just waiting for you!
From a bird’s-eye view, this adventure looks quite glamorous and the end result of these productions most certainly is. But what folks don’t get to see are the 16-hour days in 110-degree heat put in to get the shot, the 4am call times for light, the intense pressure of clients’ high expectations, the cold-calling to get new clients, the all-nighters I pull to get retouched images over to a client before their print deadline, the endless hours my Dreamteam and I spend estimating and planning productions, and the hundreds of emails that go back and forth for each and every shoot. There are no sick days in this kind of work.
I am an artist—a creative soul that cannot be tamed, a dreamer with a big heart who refuses to allow societal rules to define me. But I didn’t pop out of my mother’s womb with big ideas and a nomadic spirit; it was something I fought for over the span of several decades. I was born into a world of manners and politeness; you are conditioned to believe the ideals of your community and are told what to say and when to speak. It was a toxic environment that killed individuality and creative expression, but I never realized that there was a different way while inside the comfortable confines of my hometown.