There is a distinct art to photographing men, one that I would even say has become a passion of mine. This is most likely because of my love for men’s fashion and styling, but also because I don’t get to do it as often as I’d like on wedding days because as the lead photographer I’m primarily with the bride.
Nailing the perfect shot doesn't always have to involve endless posing or complicated lighting. Sometimes you can capture a magical photo just by thinking outside the box and using an everyday item in an unexpected way.
Simply defined, gels are transparent colored material used to modify lights for photography (both stills and motion). Gels are placed over light sources to create colored effects. The two basic types are color correction gels and non-corrective (color effect) gels.
I love the challenge of shooting on location with wildly varying lighting situations and environmental conditions between sets. It can be an exciting way to exercise blending ambient light and existing light sources with your speedlights or OCF systems and modifiers.
There are two main approaches you can take in the studio or on location. And which lane you choose will have a huge impact on the outcome of your images. You could choose to emulate window light, or you could choose to simulate sunlight.
As both a fashion and portrait photographer, I photograph a wide variety of posing styles. I photograph models in back-breaking avant garde positions and portrait clients who would prefer to remain seated, thank you very much (not that I let them). And it’s my job to coach them all.
As artists, we're constantly responding to the world around us. For years, we’ve photographed so many amazing kids that we felt needed a larger platform.
Being underwater can feel amazing! That weightlessness, the silence, the way our bodies move—it’s truly a unique place, and taking our cameras underwater is a great way to create images that are unique as well.
I love creating fine art portraiture. For better or worse, I don’t usually visualize a final portrait ahead of time, or have an exact idea of what I want to create. Most of the magic just happens in the moment as I’m shooting, then I make the image come to life in Photoshop.
When you work as a photographer, you're often dealing with subjects who aren't professional models. This puts more responsibility on you to coax good poses out of the subject. Today, I'd like to give you some useful tips for doing this when your subject is a man, or someone who wants to portray a masculine image.