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    How I got the shot



    Every month we will explore the cover shot in-depth to dissect how we got the shot.

    It gives me an opportunity to showcase the behind-the-scenes like never before. There are so many images we look at that make us wonder about the “how.” How did they make that shot? Sometimes it’s the smallest of details that can spark our imagination. I hope that by sharing the details of the shoot, we can spark some new ideas and creativity for you as an artist.

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    how i got the shot
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    shutter network



    What is Shutter Network? Shutter Network is all about free online photography training. Shutter Network is the next evolution of Behind the Shutter. It’s real photography education delivered to you in a format that matches your busy lifestyle. Clear and concise information provided by real working professionals. Not just professional photographers, but professionals in their respective industries.

    We are going to bring to you experts from around the world to discuss legal and business issues, branding, search engine optimization, pricing, copyright, sales, social media, building a portfolio, and the plethora of issues you face as a business owner.

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    shutter network
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    Hard Light



    Hard light—by which I mean a nondiffused, specular, direct light—is thought of as a big no-no by a lot of shooters. But to me, it’s one of the coolest and best types of light, one that makes your work pop and stand out from the crowd.

    For the most part, whenever I hear shooters talk about how to light people, around 95 percent of the conversations are about how to create soft, diffused light. Everyone wants the biggest softbox, they want the deepest octa or they want a set of continuous light to get that pretty, diffused window-light look.

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    stand out
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    Creative Color



    Color balance can be a thorn in any photographer’s side. When you are first learning about light, there are so many variables in regards to the shape and exposure of a light source. Having to learn about the color of a light source can be overwhelming.

    Learning about color balance is necessary for any wedding photographer because we often encounter venues with ambient lighting that differs from the color of our flash. This is referred to as “corrective color balancing,” a topic that deserves an article in itself. Today I am going to show you how to use creative color balancing to make amazing and one-of-a-kind portraits for your clients.

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    freshen up