As a photographer, ask yourself this question: how often do you break down a session into those key elements? Our creative path is usually inspired by other images we see, images that evoke the desired adjective of “beautiful” and also conjure the phrase, “I want to shoot something like this too!” You get all the necessary components together and start photographing. But are you replicating what you saw as your inspiration, or are you returning to the basics of beauty—the definition of the word?
For wedding photographers using Lightroom, it is no secret that Adobe likes to launch new versions in the middle of our busiest season. What are we supposed to do—drop everything we’re working on and upgrade? Well, it’s not so simple for most users to jump to the next version, because things change. Upgrading can set back your post-production workflow, adding pain to your already-busy schedule of editing and meeting client delivery deadlines.
Inspiration doesn't just arrive on its own. It must be triggered, and there are a lot of different things that can help with that. Working on visual taste and general understanding of art is also important. Try to spend some time looking through the art of any medium, and analyze on a daily basis why it is good and what people like about it.
Creating a beautiful piece of composite artwork can seem like a monumental task to achieve. All those Photoshop steps and techniques, all the secrets that you don’t know, and the famous phrase, “Oh, I will never be as good as so-and-so.” Well, today is your lucky day, because I’m going to give you the biggest secret of them all.
Soft-proofing in Lightroom provides a great option to review edits before sending them into Photoshop. Along with this, you can prep files for print directly from Lightroom to keep things simple. Let’s look at how to apply basic retouching in Lightroom.
let’s be honest, In today’s modern world, social media is where we share our lives, and everyone only cares about their own photos. Rarely they will care about another’s photos unless those images have interesting content. If you want to showcase your photography within this overly saturated market, it will be even harder unless it has something special or different, something that makes them ask, “How?”
The majority of your workflow is spent on editing, but we need to make sure to maintain that same efficiency during the finalization process as well. That starts with sorting and syncing images by camera capture time, although you may have done this prior to culling.
This article will cover my retouching process exclusively for Adobe Photoshop CC. You can utilize Lightroom or other popular programs like Capture One for some of the retouching, but the major steps will require the use of Photoshop.
At some point in our image-viewing lives, we’ve all been enamored with a photograph where gels and color were used to augment it. Whether this image has a small kicker accent of gelled lighting or is created entirely with it, we respond to that infusion of color—the image has a larger impact on the viewer. In many ways, the underlying story of a certain image can only be fully revealed through the use of color and gels.
Now that we’ve finished correcting color and exposure, it’s time to get creative and show off our best work. When it comes to creative editing in Lightroom, there is a lot we can do without having to jump into Photoshop. That’s exactly what I want to cover in this article, while also offering workflows for Lightroom to Photoshop for that extra level of editing.