Whether the time for outsourcing is now or never, there is no denying the fact that you can not sustainably run your business while pull all-nighters editing pictures.
"That's not what it looked like when I shot it!" If you've ever said or thought those words, guess what? You have a color management problem. It's so important for the images you create to look and feel the way it was when you saw the scene with your own two eyes.
I’m not a patient, nurturing person by nature, so being at home with a 2.5-year-old and a 5-month-old is literally taking up 120% of my effort, patience, and mental capacity. I couldn’t help but feel like the moment I’d put one toy away, another one had exploded all over the floor. How is this happening?! She’s only one kid! My head was spinning from her boundless energy and short attention span. So that’s where the idea for this image was born. Composites don’t have to be hard and daunting, and you don’t need to be a Photoshop guru to create them either. If you keep a few important concepts in mind, you’ll be shocked at how easy it is. In this article I’ll walk you through the step by step process for creating this image.
When it comes to portraits of children, we all struggle to balance capturing their energy and personality while getting in-focus images. Not to mention ones with kids with eyes open, looking and smiling at the camera. Of course, the parents are going to love almost every image, and this makes the photographer’s job easy, right? Well, you need to get the safe image they expect with their kids somewhat facing the camera, eyes open, and smiling. That moment isn’t easy to capture in one shot, so what we are going to create is the perfect portrait by swapping heads in Photoshop. Doing a bit of Photoshop does not mean you aren’t a good photographer. We can only control so much and are still required to deliver a somewhat perfect portrait.
Between all the tools, filters, layers, and even 3D capabilities, Photoshop can be an intimidating program to approach for those new to photo editing. However, Photoshop offers plenty of powerful tools that can transform your images quickly and effectively. Here, we will focus on three different methods for utilizing adjustment layers to create fun and beautiful toning for your images.
My wife couldn't watch me edit photos of her. She told me that it reminded her of how much older she was getting. As I would work on a picture, she would point out marks she wanted me to remove, or tell me how to handle things that the tiny amount of makeup she wore didn't cover. For her, even though she had great skin and an athletic body, it was a process she didn't enjoy watching, but she did love the resulting images. Now, this happened years ago, and it was an excellent lesson for me in terms of thinking about how clients would potentially look at their resulting images. It also created a set of guidelines I now use when retouching, and I wanted to pass those on to you, so you can avoid the same pitfalls I did.
I am well aware that post-production can be intimidating and sometimes even overwhelming. That is exactly how I felt at the beginning, when I first started learning about Photoshop and practicing my skills. On the other hand, it is a great tool for unlocking your creativity and bringing your photography to the next level. After I realized the difference post-production can make, I never looked back, and spent days exploring new ways to improve my work and my skills. Still, all those skills can be futile if you do not think about the post-production process before you even take the photo. That is why the next section is an extremely important step in my creative process.
Over the last two-and-a-half years, we have built a luxury brand in a small market. We are by far the most expensive photography option in our area—I am talking three to ten times more expensive than others. To be honest, we don’t think we are five times better than the other photographers in our town, and we don’t think our end product is five times better than their products either. However, we are able to charge ten times what they are, and still fill our calendar, because of the time we have spent making sure from start to finish that our clients are getting an incredible experience.
Capture One has been around for quite some time, and it’s partnered with Phase One—you know, those super-expensive cameras that probably none of us will ever be able to afford or find a very practical way to use even if we could. They’re great, don’t get me wrong—that’s not where I’m going here. I’m simply saying that it’s a $50,000 camera, so you can expect pretty high-end things from that company. Their editing (and really, originally tethering) program is called Capture One. Now, I haven’t used this for very long, it’s only been about six months, but what I can tell you is that once I saw the difference between Lightroom and Capture One, I just wasn’t satisfied in Lightroom anymore.
Every tool in Photoshop has a single letter you can tap to activate the tool. No multiple keys to remember (“Is it Shift or Alt?”), just tap a single letter on your keyboard, and that tool is ready to use. Many of the shortcuts make perfect sense, such as M for Marquee, C for Crop, T for Type and B for Brush. Others are a bit more of a stretch, such as V for the MoVe tool or W for the Quick Selection tool (since it shares the same slot as the Magic Wand). Some others make no real sense at all, making us feel that Adobe was running out of letters and just assigned them to random tools as there was nothing else available. Learning and remembering these single-letter shortcuts should be easier than trying to recall multi-key shortcuts (more on that later), but it will still take a while.