This article will cover my retouching process exclusively for Adobe Photoshop CC. You can utilize Lightroom or other popular programs like Capture One for some of the retouching, but the major steps will require the use of Photoshop.
Now that we’ve finished correcting color and exposure, it’s time to get creative and show off our best work. When it comes to creative editing in Lightroom, there is a lot we can do without having to jump into Photoshop. That’s exactly what I want to cover in this article, while also offering workflows for Lightroom to Photoshop for that extra level of editing.
Dialing in color doesn’t have to be as painstaking as it seems. Remember to start with a color profile that looks closest to how you want your images to look. Then the rest will fall in place in terms of controlling brightness, tonal recovery, and white balance.
Over the next six articles, in order, you’ll learn how to properly manage Lightroom catalogs so you’ll be ready to cull and sort your images while you import. Then, you will learn to Color Correct from the basics to the advanced stuff, leading you to a solid creative edit workflow with Photoshop.
If an image needs heavy composite work to swap a sky or clip out a subject, of course it’s Photoshop to the rescue. But what about the creative editing of tones, color grades, dodge and burn, HDR, sharpening, etc.? Can we really work in Photoshop to prep and go back into Lightroom and get good results?
Adobe Camera Raw is the solution for nondestructive editing from Lightroom to Photoshop using Smart Objects. This is useful for Lightroom to Photoshop, but what about Photoshop actions into Lightroom? Adobe’s recent improvements give us the ability to create Custom Color Profiles in Camera Raw, so we can flex our creativity with Photoshop actions and Custom Color Profiles by exporting Look Up Tables, or LUTs. This is a massive overhaul for Photoshop that makes our Lightroom workflow even more powerful.
When winter hits, being a photographer can bring a lot of challenges. Not just the obvious cold weather and clients who want to spend as little time outside as possible, but everything is dead except the pine trees. Especially in the Midwest where beautiful mountainous backdrops are rare. Not to worry. Sometimes we have to get creative when ideal lighting doesn’t show up—not only with our photography, but our editing too. In this article, I show you how to edit color for the season.
There are lots of opinions on what’s beautiful and natural, and how to make brides look their best. In this article, we are going to dive into touching up skin in Lightroom Classic. No, we aren’t going into Photoshop and won’t have frequency separation or the ability to recreate pores after we soften. Let’s focus on Lightroom and what’s already at our disposal. Trust Lightroom—it makes editing simple.
I continually try to push creative image editing to its limits. There are so many ways to tweak an image, to get that dialed-in look and feel that you envisioned when you photographed it. Since the change from Camera to Color Profiles in Adobe Camera Raw and Lightroom, the creative possibilities expanded and became so simple to use, adding them to the Basic panel and allowing users to adjust the amount it’s applied.
You know that feeling you get when you finish a shoot and realize how many hours you now have to work in post? Wouldn’t it be nice to just import in Lightroom, click a few presets and export files? That’s the point of Lightroom’s efficiency, but there is some additional finessing required to ensure your images are consistent while maintaining your look and feel. Here are 10 tricks to help you get through this grueling season and edit faster.