4 Pillars of a Successful Location Shoot

Over the years, I worked with Laura on several occasions. For a hobby photographer, it’s a true pleasure to work with a professional model. Laura doesn’t need much direction, works hard and doesn’t complain even when we’re shooting outside in the pouring rain. She also has a great sense of humor and it is always good fun working together. After shooting with Laura, the results are always “next level.” In this article, we will share the 4 pillars of a successful location shoot with you, based on our recent experience in London.

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5 Tips for Your Underwater Journey

Underwater photography while mesmerizing is not for the faint of heart. You have all of the regular challenges that come with shooting on land, and then about 1000x’s more challenges that come from shooting in a moving environment. All of this is intensified when you are shooting in the ocean versus a pool. While almost everything can be controlled on land, that is not the case while underwater. You have a split second to get what is in your mind, set up and captured in camera to eventually share with the world.

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Travel Light With Lightroom CC

When it comes to traveling and personal photography, I like to edit and share my images on the fly. This means I'm not waiting to connect to my RAID storage drive at home before I can get started on my images. I want to quickly ingest memory cards, save Raw files to a fast external drive, and add my photos to Lightroom. Lightroom Classic is typically my go-to for photo gigs, however, in this case I want to be mobile and share edits fast. This is when I use Lightroom CC. I can truly travel light for post-production and have the ability to edit from my phone.  

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Follow Your Path

I’m on a mission. For some unexplained reason, I relish in seeing others experience the joy of being an artist and living their dream of making a living with their camera. Hang out with me for any length of time, and I will ask you a lot of questions. Such as: What do you love to do more than anything on the planet? How many non-paid, non-client self-assignments do you do a month? Are you working on a body of images in a series? How do you feel if someone tells you your work sucks? What are you doing to market your work? My goal is to get photographers to get off their butts, get out, and create their own path.

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