Having the right gear as a wedding photographer is crucial to getting the right results. In this video, Sal Cincotta, Canon Explorer of Light and Profoto Legend of Light, will walk you through the lenses he chooses for his wedding day coverage.
It’s true: Gear doesn’t make the photographer. But it’s also true that the right gear can make your job a heckuva lot easier—and more fun! So after more than a decade amassing an arsenal of expensive DSLR cameras and lenses, our studio finally made the switch to an entirely new system. Mirrorless.
After one long travel month in 2017, my wife Eileen and I felt utterly pooped. Where was the old thrill we’d experienced as destination photographers? It was buried under a mountain of luggage and stress. We had to find a new packing system that brought joy back into our on-the-go lifestyle.Let’s look at our five essential categories we use to save space, the gear we bring and, finally, Peak Design’s new Travel Backpack that lets us access everything in one bag.
The Profoto B10 is here and it's a thing of beauty. The latest in the Profoto lineup, this unit sits perfectly in the lineup for mobile photographers. The B10 hits the mark with both portability and power. As you will see in the video below, I took the light into various lighting situations that a photographer might find themselves in during the course of a typical shoot - outdoors, bright sun, indoors, etc.
Photographers are well known for investing money in their toys. In fact, I would be willing to bet that many of us got started on this career path after realizing the cost of their new toys, and that we needed to charge people for pictures in order to just afford them. I am no exception to that. I love cameras, lights and new technology. We have so many options to choose from, but many that we crave are unnecessary. How do you choose the best tools to purchase? In this article, I break down my recommendations.
When I purchased a G9 for our studio, it was as a test to shoot alongside our full-frame Sony bodies. After taking images side by side with my Sony A9 with an 85mm (42.5 for the G9) lens, I placed both images next to each other and asked five photographers to guess which one was shot with the full-frame camera. Four of the photographers answered wrong. From there, we decided to use the G9 as a primary camera system, but kept the full-frame system for daytime shooting. This camera creates amazing imagery, and the tradeoff of image quality versus portability is well worth it.