That was the point when I decided to plan at least one or two creative shoots a month for myself and my soul. When I did that, something changed. I felt more excited. I wanted to run into my studio every morning and just create. After that, I was giving even more to my clients in their sessions and as a whole. I had re-lit that fire I had for photography and creativity. It’s easy to lose ourselves in client work and tell ourselves we don't have the time or energy to shoot anything for ourselves. I’m here to tell you: shoot for yourself. Collaborate, get weird, or just do something outside of your comfort zone.
Us Reality Makers … we know that no one is coming to save us. No one will shower us with money and gear and clients. This life, the ups and downs, is 100 percent our responsibility.
Our society looks at disability so negatively; it’s something to be hidden away, to fear or pity. At the other end of the spectrum, we are characterized as “inspirational” to able-bodied people, “brave” for simply living our lives, or caricatures that make everyone else feel better about themselves. More often than not, we fight to be portrayed just as we are, or how we want to be seen. We deserve the right to decide how we’re represented.
Creating a path to greatness isn’t for the faint of heart. If it was easy, everyone would do it. No, this has to be a conscious decision—no luck, no happenstance. You have to want it. You have to plan it. You have to take it. These three key focus points will catapult you on your way to the top.
All too often, when we think of noise in photography, we are thinking about our images. The truth is, noise is one of the biggest risks to our business and to our overall mental health. I am talking about the noise of the universe here.
When working with your clients, there are a few things that might seem elementary and like common sense, and yet they are critical to your overall success: being upbeat and friendly, being professional, being on time, being prepared, being well-dressed, having a photographic vision or direction (even when following a creative approach), and knowing your equipment inside and out.
Thirteen years ago, I quit my job in pursuit of being a professional photographer. Believe it or not, I didn’t do it for the money. I had no idea that there really was any money to be made in photography. I wanted to do what I loved doing. That was my main motivator. Today, I often find myself laughing with my financial planner when she reminds me of my goals at the time.
We all fail at some point. Even the most successful people fail. What most people don’t realize is that successful people fail more than most.
Working with your significant other isn’t easy. But it can be one of the most rewarding experiences you ever have if you figure out a way to make it work for both of you. I’m by no means in any kind of professional position to be dishing out relationship advice. But I’ve been looking at the life Sal and I have built in relation to our business together, and I’ve compiled some tips that have helped me find balance in my work/romantic relationship.
It’s the end of the year. There are plenty of New Year’s resolutions, tons of hopes and lots of forgiveness for last year’s failures. Will you really change this year? Will this be the year you see your business double? Or will you once again forgive yourself for not crushing it and promise to do it better next year? You’re a photographer and you do work that you love and blah blah blah. But here’s the truth: Work that leads to success is so often work that you do not want to do. So here is a list of things you need to do this year that suck.