Seeing the Light: Outdoor Lighting vs. Studio
When setting up a photoshoot, one of the most significant decisions a portrait photographer can make is the stylistic choice between shooting outdoors or in the studio.
When setting up a photoshoot, one of the most significant decisions a portrait photographer can make is the stylistic choice between shooting outdoors or in the studio.
With editorial portraits, you always want to mix things up so you have a good variety of looks to choose from. For this shoot, I started with a Westcott FJ400 with the Joel Grimes Beauty Dish on camera left, with the Westcott FJ80 as a hair light behind my subject, camera right.
I have never met a photographer that hasn’t struggled with their reception lighting setup and after years of trying to come up with the perfect setup, I’ve slowly realized that like everything else, less is more. With that being said, I want to cover three different types of lighting setups that I use throughout a wedding reception. All three use minimal equipment and all three yield excellent results!
When we think about how to create window light, the first thing we have to ask ourselves is: What exactly is window light? But what we really have to ask ourselves is: What are we trying to re-create—hard direct sunlight coming through a window, or indirect soft light on a cloudy day?
Why is it important to understand and test your gear? Well, because Murphy’s Law is the source of all pain when it comes to run & gun photo shoots. What do I mean by this? Simply, what can go wrong, will go wrong.
The new Clic Softbox Octa generates a soft and flattering light ideal for close-up portraits, flat-lay, and still life/product photography with the Profoto A-range flashes.
It’s all about who you know… at least that’s how the saying goes out here in Hollywood. A few months back, I decided to take full advantage of one connection.
One of the advantages of using high-speed sync off-camera flash is for shallow depth of field portraits.
One of my favorite things about studio photography is that it provides a blank canvas for endless possibilities.
Who loves shooting a session through golden hour and sunset? I know I do! But why stop at sunset, especially now during the winter months when days are shorter?