If you have seen me speak on business topics, you have heard me say, “Try it. Test it. Use it or leave it behind.” The same thing holds true with gear. My first SLR was a Canon AE1 Program that my wife and I purchased over 40 years ago.
Tamron’s E-mount lens series is designed to maximize the potential of full-frame mirrorless cameras and provides magnificent image quality without compromise despite being very fast and very compact.
When production models of the Canon EOS R5 hit the streets, the internet was littered with videos about the camera overheating. I even contributed to the fury. But in this article, like in the video I posted, I will focus on what the camera can do rather than what it can’t do.
The production value and quality still remains, but at a cheaper cost to my body and my wallet. I used to lose gear all the time on weddings. We would move from place to place so quickly that often times equipment would get left behind. We now rely on the built-in electronic viewfinders of our Panasonic Lumix mirrorless cameras for focus and exposure accuracy outside and for greater stabilization, rather than having to use an external monitor or hood loupe attached to the back of the camera. Today’s technology and improvements to these camera features make this possible. Hood loupes would always fall off and get lost. I don’t even use external mics on my cameras anymore. I simply rely on the built-in camera microphone to capture reference sound and ambient voices.
It’s true: Gear doesn’t make the photographer. But it’s also true that the right gear can make your job a heckuva lot easier—and more fun! So after more than a decade amassing an arsenal of expensive DSLR cameras and lenses, our studio finally made the switch to an entirely new system. Mirrorless.
After one long travel month in 2017, my wife Eileen and I felt utterly pooped. Where was the old thrill we’d experienced as destination photographers? It was buried under a mountain of luggage and stress. We had to find a new packing system that brought joy back into our on-the-go lifestyle.Let’s look at our five essential categories we use to save space, the gear we bring and, finally, Peak Design’s new Travel Backpack that lets us access everything in one bag.
Photographers are well known for investing money in their toys. In fact, I would be willing to bet that many of us got started on this career path after realizing the cost of their new toys, and that we needed to charge people for pictures in order to just afford them. I am no exception to that. I love cameras, lights and new technology. We have so many options to choose from, but many that we crave are unnecessary. How do you choose the best tools to purchase? In this article, I break down my recommendations.
What’s your long game? It’s an important question, but one too few photographers ask themselves when starting a business. Over the seven years my wife Eileen and I have coached photographers to make their studios more profitable and manageable, we’ve noticed an alarming trend: Most photographers don’t have a plan.
I am a destination photographer. I photograph weddings, portraits and commercial gigs, and the one thing that is consistent across all genres is that I travel quite a long distance to most of my shoots. As a destination photographer, I’m constantly trying to simplify and protect my gear as I travel—it’s my goal to arrive at my destination (and back home again!) with all of my gear undamaged and my images intact.
If we are living in the Golden Age of mobile photography, 2018 has shaped up to be its best year yet, by far. New technology is turning photographers’ dreams into reality with gear that’s more advanced and less expensive than ever. Many of these items were just announced last month, and I can’t wait to share them with you. We’re talking pro quality that’s accessible to virtually anyone—and that fits in your backpack.
