Black and white—some of the most iconic pictures are presented this way. There is just something about black and white that sucks you into an image.
This month for the lighting edition of Shutter Magazine, our travels take us to the Fairy Glen in Northern Scotland.
This month in How I Got the Shot, I talk about the nightmares of a photo shoot gone bad. Sure, the purpose of this column is to talk about how we got this perfectly amazing cover shot.
With the launch of our new print magazine, I am excited to announce a new series called “How I Got the Shot.” It gives me an opportunity to showcase the behind-the-scenes like never before.