The number one thing that will take an average portrait to something with impact is sensuality and emotion. But how do you achieve that in-studio with a single subject? Two ways: movement and expression.
The most common question I’m asked is how I come up with my ideas for Fine Art Portraits. I have a notebook filled with possible next creations. My biggest regret is having more ideas than I can ever create in this lifetime.
This article will walk you through my process of styling for a photoshoot. When possible, don’t settle for shooting with whatever the client shows up with.
I’d like to start by talking about a window. A broken window, specifically. A man by the name of Nathan Howe introduced this idea with his own story of a broken window, wherein a child threw a ball through his window and shattered it, so they boarded it up.
Black & white portraits are absolutely classic. Many times, you can have a standard beautiful image but when you make it black & white… it comes to LIFE!
As a professional artist, there is nothing more important than your portfolio. This is your calling card in the world of creative. It doesn’t matter how personable you are or how sweet you are, if your work sucks, no one is going to book you.
There is just something special about black & white imagery. Perhaps it’s the way we look back at the photographs of the masters like Richard Avedon, Peter Lindbergh and Ansel Adams to name a few, or perhaps it’s the way old movies have a specific feel to them as we watch them in monochrome.
Until recently, I rarely ever photographed in black & white, but this past year I decided to add a new genre of women’s intimate portraits to my session offerings.
When you're photographing a bride, there's a lot to encompass: you've got a beautiful background, ideally, but you want nearly all the focus in the photos to be on the bride herself.
I am a supporter and fan of the beginner photographer. I think as we grow in our profession, we may on occasion forget the road we once traveled. One of the most significant moments in my life was when I first learned how to do off-camera flash.
