As photographers, we all dream of shooting in stunning locations—but let’s be real: sometimes we’re stuck with less-than-ideal spots. That’s exactly why I started a new series called Ugly Spot Killer Shot—because the truth is, you don’t need a picture-perfect location to create an incredible image.
One of the most powerful skills a photographer can develop is learning to see the way a camera sees. It’s not just about beautiful light or pretty backdrops—it’s about using focal length, depth of field, composition, and a creative eye to transform an everyday space into something extraordinary.
Equipment Used:
Camera: Canon EOS R5
Lens: Canon RF 85mm f1.2
Light: Natural Light
Team:
Photographer: Sal Cincotta
Model: Violet
Hair & Makeup: Brandi Patton, ReFine Beauty
The Challenge: A Not-So-Pretty Trail
For this episode, I headed out to a basic trail. Nothing special—just some patchy greenery, a few trash cans in the distance, and flat lighting. On the surface, it didn’t scream “killer shot.” But that’s the whole point. If I can turn this ugly spot into a killer shot, you can do it too.
What caught my eye was a cluster of overgrown greenery—nothing glamorous, but I saw potential. The plan was to use it as foreground framing to bring texture, color, and depth into the shot.
The Setup: Gear & Intentional Choices
For this shoot, I used the Canon RF 85mm f/1.2. The shallow depth of field at 1.2 lets me blur out the messy background and create creamy bokeh that pulls the focus right where I want it—on the model.
Our model, Violet, wore a vibrant orange dress. That pop of color against the green foliage gave me the perfect contrast to build a visually striking image. I used the surrounding leaves and branches to frame her face and guide the viewer’s eye using subtle leading lines from the background trees and sky.
Lighting: Natural vs. Flash
I shot the scene two ways—first with natural light, then with a small pop of flash using the Westcott FJ80 II. At a very low setting (power 2), it provided just enough fill to clean up the shadows without overpowering the ambient light.
Honestly? The flash version won for me. It helped highlight Violet’s features and brought dimension back to the image while keeping that dreamy, soft vibe from the natural surroundings.
Composition: Layering for Depth
Shooting wide open at f/1.2 gave me multiple layers of blur—foreground leaves, Violet in sharp focus, and a background of soft green and light. This layering effect added richness and depth to the composition, both horizontally and vertically. Every frame felt painterly and intentional.
By placing Violet’s head in the bright “V” formed by the trees in the background, I created a natural spotlight that draws the eye exactly where I want it. These subtle choices make a massive difference when you’re turning a less-than-ideal location into a standout portrait.
Final Thoughts
The Ugly Spot Killer Shot concept is all about pushing yourself creatively. It’s about proving that with the right lens, smart composition, and a little lighting know-how, you can make magic anywhere.
So next time you think your location isn’t “good enough,” think again. Use what’s around you. Frame smart. Light intentionally. And remember—some of the most killer shots come from the ugliest spots.
