This month I use the test images from my One Light Magic class I taught at ShutterFest 2017 to show you how to get the most juice out of one light. Each was produced using only one light and a range of modifiers.

There are things you can do with scrims and natural light that are difficult if not impossible to replicate with artificial light. A case in point is this lovely daylight portrait series of model Willie Demi Spink shot at New Smyrna Beach, Florida.

With so many sources of artificial light at your fingertips and numerous ways these sources can be modified, choosing the best tool for the task can be confusing. Developing a working knowledge of the differences between these tools and their results is the first step in choosing the right light.

For me, anything beyond one light and a small modifier starts to fall into the complex category. Additional lights mean more stands, more sandbags, more triggers, more grip equipment, more assistants, extra time to set up, additional transportation logistics and permits. I opt for simple, especially on location.

I love finding cool locations to shoot in. I’m always driving around scouting, jotting down street addresses, snapping iPhone pics, making mental notes for future shoots. Every town, no matter how large or small, has cool locations. I found the location for this night portrait shoot, a flat-fix garage, by just driving around one night.

When you work as part of a team focused on a common goal, the results are almost always far better than those produced working alone.

This month I show you how I choose lenses, light and modifiers in a challenging real-world shoot to overcome obstacles and create the images I want for my clients.