Light With Muscle with Michael Corsentino
Just as athletes sculpt their bodies with new challenges, photographers use light and shadow to sculpt surfaces, create dimension and impart drama.
Just as athletes sculpt their bodies with new challenges, photographers use light and shadow to sculpt surfaces, create dimension and impart drama.
Achieving above-average results with handheld flash or larger strobes starts with getting them off your camera—otherwise known as OCF.
To build on my article last month on off-camera flash systems, I want to introduce you to some easy off-camera lighting setups featuring one, two and three lights.
Handheld light meters are synonymous with film photography. With the advent of recent technology over the years, photographers have replaced high-quality handheld incident light meters
Great black-and-white and color portraits both start with great lighting. In the studio or on location, it’s the same thing: The better your lighting, the better your result will be
For the most part, whenever I hear shooters talk about how to light people, around 95 percent of the conversations are about how to create soft, diffused light.
Great portrait lighting is a must for the pro photographer. It can make or break an image, and even someone who doesn’t know good light will choose a properly lit image over one with poor lighting every time.
If you’re in the market for off-camera flash (OCF) equipment but confused by all the options, you’re not alone. This month, I’ll help shed some light on the pros and cons of the industry’s leading systems.
Many of you know how much I use ringlights daily. I’m obsessed with them. They give off beautiful light that I can use for portraits, sports, commercial and video.