Shooting in Shitty Light
We’ve all experienced “bad light”. The difference is, the best photographers in the world know how to use, manipulate and control lighting in any situation to create iconic images.
We’ve all experienced “bad light”. The difference is, the best photographers in the world know how to use, manipulate and control lighting in any situation to create iconic images.
At ShutterFest 2021 in September, I had time to do something I usually don’t…and that’s shoot :) Union Station is packed with unique locations, so we grabbed Lauren Austin, one of our models in the Rent-A-Human model program and got to work.
Lighting is a thing. As photographers, we get it. We know we need light to shape and create. Sure, you could use the ole light and airy and just blow everything out, but what fun would that be?
There’s something about low light that draws me in. Maybe it’s the romantic atmosphere it exudes, or the depth it can give an image to make it look three-dimensional.
When Ellie asked me to write for the annual “Lighting” issue, she suggested “Lighting Patterns.” My first thought was dark, gloomy closeups with sad people and of course Rembrandt.
Being able to control and manipulate natural light will differentiate your brand in a congested market is essential to a profitable, sustainable business.
Senior portraits are what really kicked off my photography career and made me fall in love with photography. I’ve been in business for four years now and have been using only natural light with all my senior portrait shoots since the beginning!
The versatility you can achieve with just one window is amazing. I’ve often heard the excuse, “I don’t have a beautiful space or home to shoot in.” At one point in my life, while my family was in the middle of building a home, we lived in a tiny, old, drafty apartment. It was far from picture perfect, but in the right light none of that mattered.
Creating dynamic portraits using a reflector is not as simple as you might think at first. Understanding the lighting from the scene will help you determine the best place to position your reflector. On this shoot, Sal uses the sun as a kicker light, while using the reflector to create a nice even fill.
In this video, Sal demonstrates how he uses natural light to create beautiful portraits. From the position he needs to be, to communicating with his subject, this video will give you a great inside look on what it takes to use natural lighting to create the look you’re wanting.