Great black-and-white and color portraits both start with great lighting. In the studio or on location, it’s the same thing: The better your lighting, the better your result will be
I’m so jealous of photo editors sometimes. They get to work with Raw formats, which allow so much latitude in correcting and manipulating the look and feel of an image.
Black and white—some of the most iconic pictures are presented this way. There is just something about black and white that sucks you into an image.
With each Building Block over the past few months, I’ve introduced another ingredient to building a stronger business. This month, we’re going to talk about publicity. Building a strong business isn’t as much about who you know, but who knows you.
You’ve heard the cliché before: “The customer is always right.” And you’ve doubtlessly cringed hearing it. As a business owner, you know the customer is rarely right.
As professional photographers and business owners, I’m sure you’ve poured your heart and soul into building a business...
The sun can be one of the biggest enemies of outdoor photography. I used to hate working until 9:00 every night in the summer months because I was relying on nothing but natural light.
For the most part, whenever I hear shooters talk about how to light people, around 95 percent of the conversations are about how to create soft, diffused light.
In recent articles, I compared Lightroom CC to previous versions and other programs, concluding that Lightroom was the superior total workflow solution for large-volume photographers.
We have a winner! What lens brand should be in your camera bag for the second half of 2015? In Part 2, I focus on Sony A-mount, Sony E-mount and Canon L series lenses.
