Now that we’ve finished correcting color and exposure, it’s time to get creative and show off our best work. When it comes to creative editing in Lightroom, there is a lot we can do without having to jump into Photoshop. That’s exactly what I want to cover in this article, while also offering workflows for Lightroom to Photoshop for that extra level of editing.
I began teaching myself how to retouch images with Photoshop version 4.0 (Photoshop CC 2018 is considered version 19). To this day, I still use some of the original processes and tools for retouching. In this article, I discuss the most important step in retouching, then explore the basics of retouching skin, enhancing eye color with blending modes and layer masks, and, finally, problem-solving stray hairs.
Shooting and editing Raw files is a major part of my workflow. Editing in a Raw processor is a must for me, and I am always trying new programs from software companies that are always seeking the edge with new capabilities. From a beauty retouching perspective, there has always been such a dependency on Photoshop’s layers. Working in Lightroom, the closest thing I get to layers are local adjustment brushes and editing pins. These lack in skin retouching, requiring me to export the Raw file to another program just to smooth skin. On1 Photo RAW offers a nondestructive Raw processing alternative for retouching.
Why Photographers Should Embrace Digital Retouching with Nino Batista Want more information on this article? Get access to video content and additional supporting images. Launch the December 2017 issue of the magazine by logging in or signing up for a free account. Shutter Magazine is the industry’s leading professional photography magazine.…
When you retouch clients, your changes can’t be noticeable. When it’s obvious that an image has been altered from reality, it’s just tacky. This article takes you through the do’s and don’ts of Liquify and how to navigate through the Liquify panel in Photoshop CC.