
Why Photographers Should Embrace Digital Retouching
Why Photographers Should Embrace Digital Retouching with Nino Batista Want more information on this article? Get access to video content and additional supporting images. Launch
Why Photographers Should Embrace Digital Retouching with Nino Batista Want more information on this article? Get access to video content and additional supporting images. Launch
5 Ways to Maximize Sales With Online Tools with Alissa Zimmerman Want more information on this article? Get access to video content and additional supporting
These two portrait sessions were all about breaking my f16 habit in studio, going in the opposite direction and using extremely low-powered strobe and wide apertures to recapture some of that vintage portrait magic. I used the widest aperture available, f3.5, on my Schneider Kreuznach 150mm LS lens. On a medium-format DSLR, this is equivalent to approximately f1.4. Both subjects were photographed using the same two lighting setups, one with strobe only and one with strobe and constant lights. In each case, the strobe served as the keylight.
We have many decisions to make during client sessions. Many of us tend to overuse clichés in our storytelling. If we’re going to call ourselves storytellers, we should be able to come up with an original vision and execute it in a way that best helps tell the story. Whether you are a wedding or portrait photographer, you have the ability to influence the mood of viewers of your work, which is the first step in creating an impactful image and a lasting connection with the viewer. There are three elements that are essential to creating this connection: light, composition and story.
Sales is a dirty word in our industry. What’s even worse is having no idea how it’s done. While there are many factors that go into providing amazing service to our clients, the actual act of photographing them with product in mind is one that is most often overlooked. You may be surprised to read that shooting for sales does not involve creating the most epic photos anyone has ever seen. In fact, it’s much less important than the things you cannot see at all.
After shooting a wedding or any eight-hour-plus event, I dread spending countless hours working in Lightroom. Lightroom can be a huge time suck: waiting for my memory cards to ingest, waiting for each Raw to load for culling, waiting for adjustments to render in the Develop module. Are you struggling with the same post-shoot stress? If so, this article will forever free up these worries and let you get to work—at the pace of your computer’s speed, of course.
Our mission at So Many Angels is to use photography to transform children battling cancer into whatever they want to be when they grow up. We are still in the launch phase, and I want to share some of the steps we have taken to hopefully become a brand that is recognized for being the best at what we do. This article is not about the legal stuff you need to do to be recognized by the IRS as a 501(c)(3) charitable organization. These are just some thoughts that are fresh on my mind since the year I started sharing my dreams of this organization with others. Hopefully something here will help start you on your way.
We have spent countless hours working on our brand—everything from identifying our purpose, to networking and building relationships, to becoming a recognizable symbol in our community. Before our organization took flight, we had to establish every detail, including behind-the-scenes administrative aspects of running a charity and then photo style, color scheme and everything in between. We were laser-focused on the concept of giving through the art of photography. Whether you want to give by creating your own nonprofit or by aligning your business with an existing cause, we’d like to share with you some insights based on our experiences.
One aspect of photography that has come into play in recent years is much more prevalent to photographers than it used to be. In fact, it’s now a crucial element for all businesses, big and small. It’s the brand. While most consumers don’t know the difference between good and great photography when looking at a single image, they now instinctively know it when looking at a collection of images. Thanks to social media outlets like Instagram and Pinterest, most consumers have been passively trained to appreciate a good, consistent brand image—and recognize a bad one.
Is your brand irresistible and unforgettable? Everyone, and I mean everyone, seems to be a photographer these days. We aren’t just competing with the pros, we’re competing with consumers who have smartphones with amazing cameras. There are five major points to master if you want to be a brand that’s irresistible. Get these right, and you’re on your way to standing out in your marketplace, no matter how crowded it is.
In today’s competitive landscape, quality online photography training and education is priceless to your growth. Unfortunately, most publications contain a ton of fluff. No real meat to their content. Not at Behind the Shutter. We are committed to the photography community and improving professional photography by providing current, insightful, and in-depth educational content.
Training topics include photography lighting techniques, photography off-camera flash tips, photography posing guides, photography business concepts and marketing strategies, Facebook for photographers, boudoir and glamour photography training, high-school senior photography concepts, IPS (In-Person Sales) strategies, family photography, Lightroom tutorials, Photoshop how-tos, and much, much more.