In the realm of digital photo editing, there are many powerful tools and techniques that can be utilized to create awesome works of art. As these editors have developed over time, their mechanisms and interactions have evolved to offer more complex options to the artist.
Even when you nailed the shot, you still needoptimal sharpness and editing has to kick in. In this article, I am going to walk you through a Lightroom to Photoshop workflow to keep things organized while applying the best tools for the job.
Photography is a wonderful way to capture special moments in time, the people we love, magnificent landscapes and so much more. Like many hobbies, there is so much to learn—from composition and lighting to cameras and f-stops, to how to edit and store your images. It may all seem daunting at first, but little by little you will learn all you need to know.
I’ve broken this down into five points: Enhancing Surfaces, Combining Multiple Shots, Utilizing Plates and Color Cards, Unplanned Face and Body Swaps, and Creative Edits. All images included are shot and retouched solely by yours truly.
What are Smart Objects in Photoshop? Well, glad you asked. In the simplest terms, they are an entire file format unto themselves, which may not sound very simple. You’ve heard of RAW files and JPEGs, right? Well, Smart Objects are identified in Photoshop in much the same way.
Masks are one of the most powerful functions in Photoshop, giving you the perfect combination of accuracy, flexibility and creativity. Take advantage of these tips to help you make masks a key part of your Photoshop workflow.
The point is, different people have varying aesthetics when it comes to retouching. But at the end of the day, my goal is to celebrate my subject’s individual skin tones and textures, which brings me to my retouching process.
With Adobe’s hidden secret in Camera Raw we are given the ability to create Custom Profiles. Get started by opening an image in Photoshop, and apply adjustment layers or a few actions.
Compositing is a problem-solving tool and an extension to my photography vision. It adds layers to the idea and helps me be more creative. There are different reasons why you might want to use compositing in your work. Here are some of the reasons why I create composites.
Let me begin with the premise that no fine art ideas — whether surreal, conceptual photography, or from a personal place of exploration — begin with editing. Like all art pieces or even pure photographs, editing is only as good as the original image and concept, as long as it is shot correctly with the proper forethought and attention to detail.