Everywhere I go I hear the same thing: “Senior photography is not a thing here.” It’s not? So, you live in a part of the world where teenagers are not rebelling? Don’t want to be cool? Aren’t going through an identity crisis of some kind? Wow. You must live in a very unique place.
For me, anything beyond one light and a small modifier starts to fall into the complex category. Additional lights mean more stands, more sandbags, more triggers, more grip equipment, more assistants, extra time to set up, additional transportation logistics and permits. I opt for simple, especially on location.
This article deals with the unspoken rules that most beginning photographers follow only by accident. These rules, when broken, will easily get you blacklisted by your peers and colleagues.
Newton’s first law states that an object in motion stays in motion with the same speed and in the same direction unless acted upon by an unbalanced force. If things could just automatically stay in motion, all businesses would be set. Unfortunately, we are always faced with an unbalanced force. To remain successful, you must possess the ability to continually change and adapt to the marketplace.
The art of in-person sales is a terrifying beast for many photographers. I never wanted to be in the sales room because selling is very low in my skillset. Like many photographers, I didn’t have a choice. Even though I was thrust into this role, many photographers don’t have a choice because their businesses just aren’t profitable without in-person sales. If I can do it, so can you.
When it comes to sales, there are a million ways to skin a cat. In photography, there are a million and one products you can use to sell that cat. My studio is product-based. We sell digital files, but they are the last option for our clients.
When I first picked up a camera, I had no idea I was going to use it to photograph powerful CEOs, fly on their private jets to where they wanted me to photograph huge business deals and find myself almost too busy in my studio. If you’re starting off in weddings, it can seem like a pretty big leap to jump into a new genre of photography. A lot of people think it requires a completely different method of marketing, but it doesn’t.
One of the best experiences I had when I was working for another photography company was being able to observe consultation sessions. Out of all of the photography education out there, there isn’t much on how to talk with clients—or, more precisely, how to talk clients into trusting you with their money and memories.
I love finding cool locations to shoot in. I’m always driving around scouting, jotting down street addresses, snapping iPhone pics, making mental notes for future shoots. Every town, no matter how large or small, has cool locations. I found the location for this night portrait shoot, a flat-fix garage, by just driving around one night.
When we talk about the world of professional photography, it’s pretty sad to think that some of the most creative people make less than a Starbucks barista. Don’t get me wrong, I love me some Starbucks, but we are artists. We are documenting the memories of our clients. Don’t we deserve more?
In today’s competitive landscape, quality online photography training and education is priceless to your growth. Unfortunately, most publications contain a ton of fluff. No real meat to their content. Not at Behind the Shutter. We are committed to the photography community and improving professional photography by providing current, insightful, and in-depth educational content.
Training topics include photography lighting techniques, photography off-camera flash tips, photography posing guides, photography business concepts and marketing strategies, Facebook for photographers, boudoir and glamour photography training, high-school senior photography concepts, IPS (In-Person Sales) strategies, family photography, Lightroom tutorials, Photoshop how-tos, and much, much more.
