How to Black and White Your Photos for Higher Profits with Phillip Blume
Do you see the world in black and white? No one does. So why does black-and-white photography stir up such an emotional response?
Do you see the world in black and white? No one does. So why does black-and-white photography stir up such an emotional response?
A quick search on Google reveals hundreds of tutorials explaining different ways to convert your vibrant color images to beautiful black and white. What most of those tutorials fail to mention is that the key to creating compelling black-and-white images happens long before post-production. It starts with lighting.
Strobe lighting can feel extremely intimidating when you’re first trying to understand light. What constitutes great lighting? What would a professional photographer consider great lighting versus terrible lighting?
We hear the saying all the time: Light is light. But not all light is created equal. The secret to natural and beautiful light is the right modifier for any given situation. While I love the thought of carrying...
Bodyscapes are the perfect addition to boudoir and fitness photography. Some potential clients may hesitate at first, and understandably so. Posing for photos that reveal so much of themselves can be quite unnerving.
Lighting offers probably one of the easiest ways for you to stand out from your competitors, mostly because of the endless ways it can be used and the seemingly complex nature of understanding how to both shape and control light.
When I first got into photography, I had no idea how much goes into creating amazing images. I thought you were either blessed with artistic talent or you were not, and that is what made certain photographers great and others not so great.
I love soft lighting, but I don’t use it very often, so I was looking forward to creating these images and having a chance to flex my soft-light muscles. My design concept for this series of portraits called for...
This past year, I’ve been stepping up my off-camera flash game. I’ve been getting a grasp on it overall, and it has now found a home in my workflow and shooting style. Now I’m looking to take it up a notch...
The ringlight I used for this article is an 18-inch constant with a gooseneck. The gooseneck is vital to the flexibility of the light, allowing me to bend and direct it. I prefer the 65W with 5400 Kelvin temperature.