lighting 17 - Behind the Shutter

5 Ways to Use Off-Camera Light on a Wedding Day

Post author:Justin Haugen
Post category:Shutter Magazine Wedding Photography
Reading time:12 mins read

You can easily practice these concepts on regular objects around the house or on a planned practice session with one or two people. Some of these concepts are easier to pull off than others, and with great planning and preparation, you can allot yourself the time to experiment on a wedding day. Introduce off-camera flash slowly at first, while leaning on your natural light work to get the safe shots. Once you feel confident you have a strong body of natural light work to lean on, you’ll have less pressure on you should your OCF images not work out. I make a point to not show the back of the camera images to couples if I’m not confident in the end result. The last thing I want to deal with is a couple feeling like they are missing images you showed them on their wedding day.

Low-Cost Location Lighting

Post author:Michael Corsentino
Post category:Lighting Shutter Magazine
Reading time:6 mins read

Successfully controlling the harsh light from the sun requires two inexpensive tools: a diffusion panel to soften the light and one or more reflectors to bounce light, fill in unwanted shadows, and create accent light. Both of these tools are available in a wide variety of models, build qualities, features, sizes, and price points. The good news is you can pick up basic models of both tools that do the job well for around $100. Not too bad for professional location lighting! Ideally you’ll also want a light-duty stand to use with the reflector and a sandbag or two to keep things stable in the event of windy conditions.

Bringing Client Concepts to Life

Post author:Michael Corsentino
Post category:Lighting Shutter Magazine
Reading time:6 mins read

All in all the shoot came together really well and my client couldn’t be happier. Bringing your client’s concepts to life doesn't have to be complicated or onerous. The key is good communication, a clear idea of what you’re trying to accomplish going in, and a simple, effective lighting plan. My advice is always to keep it uncomplicated and creative. Keep your eyes and ears open and always think about what you’re not seeing. The final you’re seeing here isn’t where I started out during this shoot. It’s easy to miss something potentially great when you’re in the shooting bubble. In my experience, the strongest image may not be the one you’re shooting but something still unseen and undiscovered. Stop, look around, reframe. You’ll be surprised at the hidden gems just waiting for you!

5 Things You Can’t Do Without a Light Meter

Post author:Michael Corsentino
Post category:Lighting Shutter Magazine
Reading time:7 mins read

Readers of this column know that I’m a big booster for the use of handheld light meters. I use them daily in my own photography and recommend them to every photographer interested in better lighting. In fact, if you want to take your lighting to the next level in addition to taking your light off your camera, learning to use a handheld light meter is the next best step you can take in that direction. I know what you’re thinking! “My camera already has a built-in light meter. Why do I need another meter, another expense, and another tool to worry about?” Those are each great questions.

LED Lighting For Seniors

Post author:David Beckham
Post category:Senior Photography Shutter Magazine
Reading time:8 mins read

The lighting technology world is changing more rapidly than ever. LED is no exception. I absolutely love the advances—anything that makes my job easier, convenient, and more fun. But I won’t sacrifice quality for any of that. If you know my work, you know I strive to get it right in the camera. I don’t use presets or extensive Lightroom or Photoshop processing to get my finished images. The images shown here are almost straight out of the camera, save for removal of blemishes and clutter.

5 Reasons to Use Creative Lighting

Post author: Michael Anthony
Post category:Lighting Shutter Magazine
Reading time:8 mins read

In today's age of high dynamic range cameras and increased knowledge of post-production software, photographers are beginning to rely less and less on the fundamentals of lighting. I can tell you firsthand that our studio built a foundation of its success on the ability to use creative light in any situation. Lighting, in my opinion, is the first thing that we should learn as professional photographers. Lighting will dictate the location that you shoot in as well as the overall style that you are trying to achieve.

8 Things to Consider When Buying a Strobe

Post author:Michael Corsentino
Post category:Lighting Shutter Magazine
Reading time:9 mins read

Choosing the right strobe for your needs is not only a question of budget but how you intend to use the strobe. The criteria and features desirable for studio strobes differ from those designed for location use, and vice versa. That said, strobes designed for location use can be used in the studio, and studio strobes can in some cases be used on location. So, if you can only budget for one type of strobe, don’t worry. Keep in mind that every strobe involves a series of compromises, and there is no one strobe that does everything and does it well. That’s why there are portable strobes designed for location work and larger, more powerful strobes intended for studio work. Each has its pluses, minuses and place.

5 Must-Have Modifiers

Post author:Michael Corsentino
Post category:Lighting Shutter Magazine
Reading time:7 mins read

When it comes to crafting killer quality of light, it’s all about modifiers. These light-shaping tools come in a variety of shapes, sizes and interior finishes. When attached to the front of strobes, modifiers help control the quality, shape, direction, spread, and amount of contrast, as well as how quickly the light falls off. While some have more versatility than others, there is no one-size-fits-all modifier. Each has its own unique characteristics, and each produces a different set of results.

5 Ways to Use a Strip Box

Post author:Amber Jones
Post category:Lighting Shutter Magazine
Reading time:6 mins read

I love my strip boxes. My go-to's are the Profoto D2 line and the Profoto 1x6 RFI strip boxes with grids. I use these light modifiers for my maternity, fitness and boudoir clients, because of the control and impact they have when shaping light. You can use them to create gorgeous directional light that focuses on drama. And who doesn't enjoy an excellent dramatic photograph?

High-Volume Photography

Post author:Matt Kemmetmueller
Post category:Shutter Magazine Workflow
Reading time:10 mins read

High-volume photography is one aspect of the industry that seems both intriguing and daunting to a lot of photographers. I will go over why I want to photograph it, the basics of setting up team and individual images, and how to organize your day and files as you jump headfirst into one of the most profitable dollar-to-hour segments of photography out there.