Depth & Drama with Accent Lights

Creating lighting styles is a lot like cooking. You start with an idea of what you want and season to taste, adding what you need as you go. Each step taken on the path to achieving the look you’ve visualized is a series of building blocks with an eventual whole that’s greater than the sum of its parts. Readers of this column know I’m a big fan of working with one light, but there are times when additional lights are called for. This month, I turn up the heat and show you what’s possible with four lights.

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Why You Should Intentionally Shoot For Black & White

If changing an image to black and white is a careless afterthought, what are the chances that you’ve created a monochrome masterpiece? When we change our mindset from “I don’t know what else to do with this so black and white it is” to “I am going to create black-and-white photos today when I shoot,” a radical thing happens: Your monochrome images become more focused and striking.

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How Light Diffusion Can Affect Your Portrait’s Mood

Emotion in your portrait work comes from your subject almost entirely, for lots of obvious reasons. That said, other elements in your portraits can affect and enhance their overall mood—especially the lighting. Simple decisions about light diffusion can alter or augment the mood you are after. There are differing opinions on what light diffusion does to a portrait’s mood. It’s subjective. But there are some tried and true light diffusion techniques that work consistently to evoke or enhance specific moods in human subjects.

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Creating Colored Shadows With Gels

There are multiple ways to utilize color gels in your creative process. In this article, our goal is to create colored shadows on the background without painting the models’ face in different colors. To achieve this, we need to first know some basics about color models and color theory, so let’s start from there and work through the making of the image.

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Top 10 Lighting Mistakes

As a longtime photographer and mentor to other photographers, I’m uniquely qualified to speak about mistakes. I’ve made them all more than once and seen them all. That’s ok. We learn more from our mistakes than our successes, and if you’re not failing forward, you’re not trying hard enough. These top 10 lighting mistakes are all specific to flash. If you’re not using flash yet, read on for a few aha moments, and check out last month’s feature about why you need strobe in your life. Let’s get this party started.

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Creating Luxury Photos With Shitty Tools

Raise your hand if you’ve thought the same things: I want to create luxury photos, but I don’t want to deal with all the gear and equipment that I see everyone else using. I want to create luxury photos, but I don’t want to invest a fortune just yet to make them. I want to create luxury photos, but I want to do it in a way that makes me feel comfortable in my element.

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Lighting to Flatter the Female Form

Creating a light scheme that makes my subject look beautifully shaped right in camera allows me to save a lot of retouching time. This way I can also show a few photos directly on set during the shoot, let my client see the magic in the making and get her even more excited to proceed with the rest of the session. The confidence boost is incredibly helpful, empowering and attitude changing. Here are some of the light setups I use the most during photo shoots. I hope they help you create stunning maternity images.

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4 Cornerstones of a Well-Lit Portrait

Whether you’re as big a fan of classic commercial lighting as I am or prefer something different—perhaps the contrast of “dark and moody” or the flat “light and airy” look that’s trending on Instagram—I encourage you to closely study the four elements of a well-lit portrait. Understanding their rationale and the order in which they’re usually applied will help you become more efficient and better at controlling your own unique style.

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Master the Light with Sal Cincotta

Are you a natural-light photographer? Do you realize how ridiculous that sounds? Change your mindset. Be a photographer. As a photographer, you don’t identify yourself by your lighting choice. I don’t say I am a “Canon photographer.” I am a professional photographer. I take great pride in that, as should you. If you ever want to be successful in this business, you need to master all light. But make no mistake: There is a lot to do and it can seem overwhelming. 

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