Models are the number-one finicky variable when planning shoots. Planning around one person (or multiple people) and having faith they will show up on time, professional and ready to go, is enough to keep you up at night.
I love soft lighting, but I don’t use it very often, so I was looking forward to creating these images and having a chance to flex my soft-light muscles. My design concept for this series of portraits called for…
Photographers are constantly battling with light to capture an epic moment, especially when the sun is hiding behind clouds or is out of the frame, causing distracting glares across the client’s face.
This past year, I’ve been stepping up my off-camera flash game. I’ve been getting a grasp on it overall, and it has now found a home in my workflow and shooting style. Now I’m looking to take it up a notch…
The ringlight I used for this article is an 18-inch constant with a gooseneck. The gooseneck is vital to the flexibility of the light, allowing me to bend and direct it. I prefer the 65W with 5400 Kelvin temperature.
Photography has continued to become more diluted over the past several years. Fewer people are hanging wall portraits. Even fewer get images printed any longer. Point-and-shoot cameras are rarely seen anymore in public.
How could a mobile phone provide satisfactory results for a wedding? This is not a joke. I’ve always believed it was inevitable that the day would come when the iPhone is taken seriously as a professional filmmaking tool.
It’s probably the best definition of entrepreneur I’ve ever read. The meme is a hilarious yet insightful commentary about those of us crazy enough to pursue our dreams as business owners:
We all know what people refer to when they describe something as being “classic.” Just to make sure we’re all on the same page, the dictionary defines it as being “judged over a period of time to be of the highest quality and outstanding of its kind.”
How to WOW your photography clients with Sticky Albums First, we need to understand the reality of the landscape we operate in today. TIME. You
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